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Mystic Chapel
Our first album, Martyrs Prayers, asked the question, “What would you die for?” It was our small attempt of speaking musically to the issue of “cheap grace” as defined by one martyr in particular, Dietrich Bonhoeffer. From Ignatius of Antioch to Oscar Romero we considered those who had given their lives for the faith.

Our second album, Mystic Chapel, asks another question, “What if we still believed?”. We came to faith in a time when something was happening. It wasn’t programmed, it wasn’t planned, but it was real. The theology was not deep or profound and there was much that we needed to learn, but we believed, and that belief was translated into a movement that changed the Church, changed the style and substance of ministry, changed worship and changed music. It was a time when it seemed nothing was impossible.

As Martyrs Prayers garnered numerous favorable reviews and attracted a good deal of attention across an amazingly wide spectrum of both faith-based and secular media, we began connecting with all sorts of people from “back in the day”. Some were old friends, others were simply people with similar experiences. Some had remained active in varied faith communities, while others had no apparent affiliation whatsoever. Still others retained a deep faith, but were simply “done” with the Church – too many scandals, fund drives, intolerance, traditional/contemporary arguments, and all the rest. As we worked on music and design with numerous talented friends, artists and musicians of a younger generation, we saw the same phenomena – some involved in a faith community, some with no affiliation and some, while retaining a very real faith, had simply given up on finding a community that expressed that faith.

So, a lifetime later, we ask the question, “What if we still believed?” While we may not have known it at the time, the power of our belief was, essentially, the incarnation of the kerygmatic theology of the mid-twentieth century. We encountered the “proclaimed word”, the kerygma, and by that word, encountered Christ and his saving work both in history and in the present moment. It was an encounter that changed lives… changed us… changed so many… but where are they now?

We offer this album, Mystic Chapel, as a “love letter” of sorts. We’re sending it out to the faithful, to the “nones”, to the “dones” and to all those in between. There’s no promo, no hype, just a journey, offered in music and story. We recognize, however, that this is but our journey. Travel with us, but find a journey to make your own, for the Mystic Chapel is not a place that you can find on a map, it is an encounter that takes place in the soul. It is an encounter that may, for each of us, bring an answer to the question, “What if we still believed?”.

Michael Glen Bell – The Project
Music may be purchased through our Website:  http://themartyrsproject.com
Facebook:  The Project
Twitter:  @ MartyrsProject
Spotify link to The Project – Mystic Chapel https://open.spotify.com/album/53hONQ6mOpmzxaH0EwJvfB

THE PROJECT
Michael Glen Bell
Duane W.H. Arnold

CD available for purchase at: http://themartyrsproject.com

THE PROJECT: Martyrs Prayers is an extraordinary endeavor born out of love – love for the Church, love for music and, perhaps most importantly, love for friends. As a musical and spiritual milestone, the album represents an event that has drawn together luminaries of the music world in order to honor those who, through the centuries, gave their very lives for their faith, their freedoms, their communities and their friends.

More than a single event, however, the album represents a diverse community of artists bound together by the very faith articulated on the album tracks and by their friendship and love for one another. The artists’ diversity is wide — Roman Catholics and Evangelicals, Methodists and Anglicans, those of varied political persuasions — all bound together by their friendship and their common desire to honor the martyrs.

The album, however, is more than fantastic music. It is packaged with a wealth of information in liner notes, biographies and resource materials. It is a call to know the past and transform the present; to find purpose in life from the question asked of us all:

“WHAT WOULD YOU DIE FOR?”